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Fantasia Disney Wiki FANDOM powered by Wikia. Fantasia. Written by. Joe Grant. Dick Huemer. Cinematography by. James Wong Howe. Max Morgan. Running time. 12.

VHS release)Budget$2,2. Fantasia is a 1. 94. American animated film, produced by Walt Disney and released by Walt Disney Productions. With story direction by Joe Grant and Dick Huemer and production supervision by Ben Sharpsteen, it is the third feature in the Disney Animated Canon. The film consists of eight animated segments set to pieces of classical music conducted by Leopold Stokowski; seven of which are performed by the Philadelphia Orchestra. Music critic and composer Deems Taylor acts as the film's Master of Ceremonies, who introduces each segment in live action interstitial scenes. Disney settled on the film's concept as work neared completion on The Sorcerer's Apprentice, an elaborate Silly Symphonies short designed as a comeback role for Mickey Mouse (who had declined in popularity).

Fantasia is a 1940 American animated film, produced by Walt Disney and released by Walt Disney. Watch Wild Shemale Experience online on YouPorn.com. YouPorn is the biggest Anal porn video site with the hottest shemale movies! Replicants, superheros, and reboots await you in our Fall Movie Guide. Plan your season and take note of the hotly anticipated indie, foreign, and documentary. Swedish director Ruben Ostlund won Palme d'Or for this "slapstick tragedy about the fragility of everything we call human". Early life. Fantasia Taylor was born Fantasia Barrino to Diane and Joseph Barrino and raised in High Point, North Carolina. She began singing at the age of five. About the Show. Renton is a teenager trapped working as a mechanic in a backwater town. He dreams of joining up with a daredevil group of pilots known as Gekkostate.

As production costs grew higher, he decided to make a feature- length film with other segments set to classical pieces. The soundtrack was recorded using multiple audio channels and reproduced with Fantasound, a pioneering sound reproduction system that made Fantasia the first commercial film shown in stereophonic sound.

Fantasia was first released in theatrical roadshow engagements held in thirteen U. S. cities from November 1. It received mixed critical reaction and was unable to make a profit. In part, this was due to World War II cutting off the profitable European market, but due as well to the film's high production costs and the expense of leasing theaters and installing the Fantasound equipment for the roadshow presentations. Also, audiences who felt that Disney had suddenly gone "highbrow" stayed away, preferring the standard Disney cartoons.

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The film was subsequently reissued multiple times with its original footage and audio being deleted, modified, or restored in each version. As of 2. 01. 2, Fantasia has grossed $7. U. S. when adjusted for inflation. Walt's nephew Roy E. Disney co- produced a sequel released in 1. Fantasia 2. 00. 0.

The film gained a huge cult following since its first release, and is notably important to film industry as a milestone in the creation of the modern "music video.". Program description. The host and narrator of the film, Deems Taylor, introduces each piece in the program and gives background on the original intent of the composer. There was no intent to deceive anyone into thinking that Disney's interpretation was the "original intent" of the composer. Some of the selections were shortened from their full length, for the sake of the film's running time. Of the eight pieces, four are presented virtually complete: Toccata and Fugue, The Sorcerer's Apprentice, the Dance of the Hours (which is actually expanded), and the Ave Maria. The Nutcracker Suite is shorn of its Miniature Overture and March, the twenty- five minute Rite of Spring (the longest segment in the film) is ten minutes shorter than the original 3.

Pastoral Symphony segment is performed in a 2. Beethoven's complete 4. There are also small internal omissions in Night on Bald Mountain. Fantasia was produced on a budget of $2,2. Watch Sideways Online Hulu. Musical score: Johann Sebastian Bach – Toccata and Fugue in D Minor BWV 5.

Stokowski's own orchestration). Directed by Samuel Armstrong. Story development: Lee Blair, Elmer Plummer, and Phil Dike. Art direction: Robert Cormack. Background painting: Joe Stahley, John Hench, and Nino Carbe. Visual development: Oskar Fischinger.

Animation: Cy Young, Art Palmer, Daniel Mac. Manus, George Rowley, Edwin Aardal, Joshua Meador, and Cornett Wood. Fantasia begins immediately (there are no opening credits or logos of any sort) with the curtains being opened to reveal an orchestra stand. Musicians are seen ascending the stand, taking their seats, and tuning their instruments. Master of ceremonies Deems Taylor arrives and delivers an introduction to the film. Stokowski appears and begins conducting the first strains of his own orchestration of the Toccata and Fugue in D Minor, by Johann Sebastian Bach (originally written for solo organ).

The first third of the Toccata and Fugue is in live- action and features an orchestra playing the piece, illuminated by abstract light patterns set in time to the music and backed by stylized (and superimposed) shadows. The first few parts of the piece are played in each of the three sound channels (first left, then right, then the middle, then all of them) as a demonstration of Fantasound. The number segues into an abstract animation piece—a first for the Disney studio—set in time to the music. Toccata and Fugue was inspired primarily by the work of German abstract animator Oskar Fischinger, who had actually worked for a brief time on this segment. The animation segues back into the live- action footage of Stokowski as the piece concludes, setting the precedent for the rest of the musical numbers. Although the Philadelphia Orchestra recorded the music for the film (excepting The Sorcerer's Apprentice), they do not appear onscreen; the orchestra used onscreen in the film is made up of local Los Angeles musicians and Disney studio employees like Jimmy Mac.

Donald and Paul Smith, who mime to the prerecorded tracks by Stokowski and the Philadelphia Orchestra. Originally, the Philadelphia Orchestra was slated to be filmed in the introduction and interstitial segments, but the union and budgetary considerations prevented this from coming to pass. Musical score: Pyotr Ilyich Tchaikovsky – Nutcracker Suite Op. Directed by Samuel Armstrong. Story development: Sylvia Moberly- Holland, Norman Wright, Albert Heath, Bianca Majolie, and Graham Heid. Character designs: John Walbridge, Elmer Plummer, and Ethel Kulsar. Art direction: Robert Cormack, Al Zinnen, Curtiss D.

Perkins, Arthur Byram, and Bruce Bushman. Background painting: John Hench, Ethel Kulsar, and Nino Carbe. Animation: Art Babbitt, Les Clark, Don Lusk, Cy Young, and Robert Stokes. Choreography: Jules Engel.

The Nutcracker Suite, a selection of pieces from Tchaikovsky's classic ballet, is a personified depiction of the changing of the seasons; first from summer to autumn, and then from autumn to winter. Unlike the ballet, this version has no plot. It features a variety of dances, just as in the original, but danced by animated fairies, fish, flowers, mushrooms, and leaves; no actual nutcracker is ever seen in this version. Many elements are rendered carefully and painstakingly using techniques such as dry brush and airbrush.

The musical segments are as follows. As dawn breaks over a meadow, during the "Dance of the Sugar Plum Fairy," tiny fairies sprinkle drops of dew on every flower and stern. A cluster of tiny mushrooms, dressed in long robes and coolie hats resembling Chinese (plus one little mushroom always out- of- step), perform the "Chinese Dance.".

Multicolored blossoms shaped like ballerinas perform the "Dance of the Flutes.". A school of underwater goldfish performs a graceful "Arab Dance.". High- kicking thistles, dressed like Cossacks, and orchids dressed like lovely Russian peasant girls, join together for the wild "Russian Dance.". In the final musical segment, "Waltz of the Flowers," autumn fairies color everything they touch brown and gold with their wands. Then the frost fairies arrive and everything becomes part of an icy, jewellike pattern among falling snowflakes. One quaint novelty of the full- length roadshow version of Fantasia is that during his commentary on the Nutcracker Suite, Deems Taylor observes that the complete ballet The Nutcracker "is never performed anymore." The United States did not see a complete staging of the Nutcracker until 1.

Fantasia, and George Balanchine's 1. New York City Ballet established the modern tradition of performing the ballet at Christmas time. Sorcerer Mickey. Musical score: Paul Dukas – The Sorcerer's Apprentice.

Directed by James Algar. Story development: Perce Pearce and Carl Fallberg.